“Belle comme un rêve de Pierre”: Alejandra Pizarnik's La Condesa Sangrienta as a fairy tales rewriting Ludmila Soledad Barbero
The fairy tale is key to analyzing Alejandra Pizarnik’s writing. Specifically, in the translation/rewriting of Valentine Penrose’s La comtesse sanglante (1962)to La Condesa sangrienta (1965), this genre is central because it works as an appropriation matrix. This matrix models Pizarnik’s version thr...
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| Format: | Article |
| Language: | Spanish |
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Universidad Nacional de La Pampa
2018-01-01
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| Series: | Anclajes |
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| Online Access: | https://cerac.unlpam.edu.ar/index.php/anclajes/article/view/1333/2113 |