Recontextualizing the Cinematic Code: The “Female Gaze” of Sai Paranjpye in Sparsh, Chashme Buddoor, and Katha
A central concern of the article is to examine how the female gaze is evident in the films of Indian film director Sai Paranjpye. More specifically, this research article analyses the ways, how female gaze asserts itself by playing with established cinematic codes while keeping the political and soc...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
De Gruyter
2022-06-01
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| Series: | Open Cultural Studies |
| Subjects: | |
| Online Access: | https://doi.org/10.1515/culture-2022-0153 |