Attention, Music, Dance: Embodying the “Cinema of Attractions”
In this essay I take up the question of whether the “cinema of attractions,” as identified and analyzed by film scholars Tom Gunning and André Gaudreault, might be a useful tool for critical analysis not only of early silent film, its exhibitionist aesthetics, and approach to spectatorship, but...
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| Format: | Article |
| Language: | English |
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Milano University Press
2021-11-01
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| Series: | Sound Stage Screen |
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| Online Access: | https://riviste.unimi.it/index.php/sss/article/view/15963 |