Les oratorios bibliques de Haendel ou « ll faut l’entendre pour le croire »
This article contends that, having being denied the possibility of truly staging his biblical oratorios, Handel turned this apparent dramatic void into a truly musical force. Examples taken from Saul, Joshua, Belshazzar, Israel in Egypt and Samson will show how the complex and varied processes of (r...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses universitaires de Rennes
2008-02-01
|
| Series: | Revue LISA |
| Online Access: | https://journals.openedition.org/lisa/1132 |