Uday Shan-Kar and Me: Stories of Self-Orientalization, Hyphenization, and Diasporic Declarations
This article discusses how orientalism has operated and continues to operate within the North American artistic landscape of dance artists. The author starts by focusing on Uday Shankar (1900–1977), one of the major, though often overlooked, figures over the last 100 years of South Asian (and predom...
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| Format: | Article |
| Language: | English |
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MDPI AG
2023-05-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/12/3/106 |