Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism

Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism

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This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the...

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Bibliographic Details
Main Author: Diana Delgado-Ureña Díez
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2021-04-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Choreography
Amerindian Perspectivism
Subjectivation Processes
Relationship Modes
Corporeality
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/110556

Internet

https://seer.ufrgs.br/index.php/presenca/article/view/110556

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