Power, agency, deference and difference Examining the politics of composer–performer relationships in the wake of recent innovations
With a view to uncovering the political implications of notational, technological and musical innovation in composer–performer relationships within Western art music, this paper examines three disparate works: Christian Wolff’s Duo for Pianists II (1958); Brian Ferneyhough’s Unity Capsule (1975); an...
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| Format: | Article |
| Language: | English |
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University of Huddersfield Press
2016-01-01
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| Series: | Fields |
| Online Access: | https://www.fieldsjournal.org.uk/article/id/436/ |