Power, agency, deference and difference Examining the politics of composer–performer relationships in the wake of recent innovations
With a view to uncovering the political implications of notational, technological and musical innovation in composer–performer relationships within Western art music, this paper examines three disparate works: Christian Wolff’s Duo for Pianists II (1958); Brian Ferneyhough’s Unity Capsule (1975); an...
| Formato: | Artigo |
|---|---|
| Idioma: | English |
| Publicado em: |
University of Huddersfield Press
2016-01-01
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| coleção: | Fields |
| Acesso em linha: | https://www.fieldsjournal.org.uk/article/id/436/ |