Narrating Diasporic Religion and Postsecular Identity in Tahar Ben Jelloun’s <i>A Palace in the Old Village</i>
Inspired by Western secular literary tradition, many diasporic writers in the Maghreb in general and in Morocco in particular did not include religious or spiritual themes in their literary works, as compared to the valorized ones of race, class and gender. Much of Maghrebian fiction, primarily writ...
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| Format: | Article |
| Language: | English |
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MDPI AG
2024-08-01
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| Series: | Religions |
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| Online Access: | https://www.mdpi.com/2077-1444/15/9/1038 |