Remote Control: Censoring Diasporic Identities in Atom Egoyan’s Films
In Atom Egoyan’s films, the practice of home movies and the use of VCRs often signify the emergence of repressed representations associated with unacknowledged urges. Protagonists are involved in complex negotiations over definitions of identities that combine the sexual, the national and the aesthe...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
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| Series: | Revue LISA |
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| Online Access: | https://journals.openedition.org/lisa/5554 |