EastEnders and the Manufacture of Celebrity

When EastEnders launched in February 1985 it represented a new approach by the BBC to programme making in many ways. One of these was publicity. Traditionally, the BBC put little effort into programme promotion but for EastEnders a much more professional approach was adopted and more resources emplo...

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Bibliographic Details
Main Author: Tarik Sabry
Format: Article
Language:English
Published: University of Westminster Press 2017-06-01
Series:Westminster Papers in Communication and Culture
Subjects:
Online Access:https://www.westminsterpapers.org/article/id/29/
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author Tarik Sabry
author_facet Tarik Sabry
author_sort Tarik Sabry
collection DOAJ
description When EastEnders launched in February 1985 it represented a new approach by the BBC to programme making in many ways. One of these was publicity. Traditionally, the BBC put little effort into programme promotion but for EastEnders a much more professional approach was adopted and more resources employed. In part the publicity was based on the real life histories of the actors involved, many of whom had been cast because they had similar backgrounds to the characters they played. However, the full-blooded entry of the BBC, the UK’s largest cultural producer into the business of publicity was to have unforeseen consequences, as the tabloid press, following a logic of its own created the kind of feeding frenzy around the actors’ private lives with which we are so familiar today. The launch of EastEnders, it is argued, represents therefore a significant moment in recent British cultural history as the private lives of relatively minor characters, as much as their on screen personas became public property.
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spelling doaj.art-9fc7c48b791e4f7dad11e0e8a0a00a592022-12-21T20:05:57ZengUniversity of Westminster PressWestminster Papers in Communication and Culture1744-67162017-06-012210.16997/wpcc.20EastEnders and the Manufacture of CelebrityTarik Sabry0Communication and Media Research Institute University of WestminsterWhen EastEnders launched in February 1985 it represented a new approach by the BBC to programme making in many ways. One of these was publicity. Traditionally, the BBC put little effort into programme promotion but for EastEnders a much more professional approach was adopted and more resources employed. In part the publicity was based on the real life histories of the actors involved, many of whom had been cast because they had similar backgrounds to the characters they played. However, the full-blooded entry of the BBC, the UK’s largest cultural producer into the business of publicity was to have unforeseen consequences, as the tabloid press, following a logic of its own created the kind of feeding frenzy around the actors’ private lives with which we are so familiar today. The launch of EastEnders, it is argued, represents therefore a significant moment in recent British cultural history as the private lives of relatively minor characters, as much as their on screen personas became public property.https://www.westminsterpapers.org/article/id/29/tabloid pressprivate livesprofessionalismpublicitycelebrityBBC
spellingShingle Tarik Sabry
EastEnders and the Manufacture of Celebrity
Westminster Papers in Communication and Culture
tabloid press
private lives
professionalism
publicity
celebrity
BBC
title EastEnders and the Manufacture of Celebrity
title_full EastEnders and the Manufacture of Celebrity
title_fullStr EastEnders and the Manufacture of Celebrity
title_full_unstemmed EastEnders and the Manufacture of Celebrity
title_short EastEnders and the Manufacture of Celebrity
title_sort eastenders and the manufacture of celebrity
topic tabloid press
private lives
professionalism
publicity
celebrity
BBC
url https://www.westminsterpapers.org/article/id/29/
work_keys_str_mv AT tariksabry eastendersandthemanufactureofcelebrity