Fotografía y violencia, los límites de la representación
Photography succes is, at least in the beginning, her aptitude to imitate reality. Technical improvements are proofs of this search of perfection. The counterface of this affirmation is the definition of photography as a certain record of Truth. This relies in dualistic comprehension of the reality....
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| Format: | Article |
| Language: | Spanish |
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Groupe de Recherche Amérique Latine Histoire et Mémoire
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| Series: | Les Cahiers ALHIM |
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| Online Access: | https://journals.openedition.org/alhim/5326 |