‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar
For performers of Early Music, there is an everlasting quest to unveil new perspectives on a historically distant repertoire in search of new ways of performing and understanding the music. This is true for all performers of Early Music, including Baroque guitarists. A currently very popular perform...
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| Format: | Article |
| Language: | deu |
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Bergen Open Access Publishing
2018-03-01
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| Series: | Early Modern Culture Online |
| Online Access: | https://boap.uib.no/index.php/emco/article/view/1513 |