Marguerite Duras, Experimental Filmmaker Between Antinarration and Iconoclasm
The essay is focused on how Duras’ film writing is a visual expression of the central themes of her literature (love and desire) and how certain practices of aesthetic aniconism – and their theoretical reading – refer to the manifestation of emotional and sentimental control. End of love, end of re...
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| Format: | Article |
| Language: | English |
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Milano University Press
2020-03-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16172 |