Éloge de l’inauthenticité: le dix-huitième siècle à l’écran, autour de 'Barry Lyndon' de Stanley Kubrick
This essay considers the representation of the eighteenth century on screen, starting with Norbert Carbonneaux’s film Candide, ou l’Optimisme au XXe siècle (1960). I focus on the question of authenticity, such as Stanley Kubrick strove to achieve in Barry Lyndon (1975). Kubrick’s quest for authentic...
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| 格式: | Article |
| 語言: | Catalan |
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Liverpool University Press
2024-11-01
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| 叢編: | Modern Languages Open |
| 在線閱讀: | https://account.modernlanguagesopen.org/index.php/up-j-mlo/article/view/525 |