“L’orma nello schermo opaco”. Intermedialità del costrutto narrativo e rappresentazione di una “realtà depotenziata” in Un giorno perfetto (2005) di Melania G. Mazzucco
In looking at the debate about the ‘end of postmodernism’ and ‘new realism’ it is noticeable that the label of ‘realism’ has been applied to writers who are actually closer to postmodern narrative techniques. This applies among others to the novel Un giorno perfetto (2005) of the bestselling Italian...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
LED - Edizioni Universitarie di Lettere Economia Diritto
2017-01-01
|
| Series: | Linguae &: Rivista di Lingue e Culture Moderne |
| Subjects: | |
| Online Access: | http://www.ledonline.it/index.php/linguae/article/view/1013 |