Improvvisazione e contraffatti. Circa il primato della prassi in ontologia della musica
In this paper I discuss a particular musical practice, the contrafacture, as an interesting case of artistic appropriation. I argue that musical contrafacture, especially in the jazz field, may deflate some biased assumptions that sometimes are taken for granted – mostly in the ontologies of music b...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2014-02-01
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| Series: | Aisthesis |
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| Online Access: | http://www.fupress.net/index.php/aisthesis/article/view/14098 |