Perpetual iridescence, or Impressionism’s minor harmonies
In histories of modern colour, simultaneous contrast has become something of an idée fixe. From Paul Signac’s 1899 treatise, D’Eugène Delacroix au néo-impressionisme, to Laura Anne Kalba’s celebrated monograph, Color in the Age of Impressionism (2017), all paths seem to lead back to Eugène Chevreul...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2022-06-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2022/05/weintraub.pdf |