Slavery, Sympathy, and White Self-Representation in Dutch Bourgeois Theater of 1800
Unlike the German, French, and particularly Anglo-American cases, the Dutch theatrical imaginings of colonialism, slavery, and race have been largely neglected by scholars of imperial culture. Looking at two early nineteenth-century bourgeois dramas, Stedman (1805) and Kraspoekol (1800), this articl...
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| Format: | Article |
| Language: | English |
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openjournals.nl
2018-12-01
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| Series: | Early Modern Low Countries |
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| Online Access: | https://test.openjournals.nl/emlc/article/view/7196 |