Autopsie en 360°

This paper addresses 360-degree virtual immersive environments as image production and reception devices that produce an apparent deconstruction of the pictorial frame and filmic framing. Through such deconstruction, such environments promise to allow the user an immediate presence in the iconic env...

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Bibliographic Details
Main Author: Andrea Pinotti
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2022-12-01
Series:Images Re-Vues
Subjects:
Online Access:http://journals.openedition.org/imagesrevues/12686