Autopsie en 360°
This paper addresses 360-degree virtual immersive environments as image production and reception devices that produce an apparent deconstruction of the pictorial frame and filmic framing. Through such deconstruction, such environments promise to allow the user an immediate presence in the iconic env...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Centre d´Histoire et Théorie des Arts
2022-12-01
|
| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | http://journals.openedition.org/imagesrevues/12686 |
| _version_ | 1797788000564805632 |
|---|---|
| author | Andrea Pinotti |
| author_facet | Andrea Pinotti |
| author_sort | Andrea Pinotti |
| collection | DOAJ |
| description | This paper addresses 360-degree virtual immersive environments as image production and reception devices that produce an apparent deconstruction of the pictorial frame and filmic framing. Through such deconstruction, such environments promise to allow the user an immediate presence in the iconic environment and to foster an effective empathic relationship with the synthetic subjects encountered in that environment. The article will consider the foundations of such a promise, showing its substantial inconsistency, generated by the dual rhetorical suppression of the machine gaze and of the interaction with the interlocutor. |
| first_indexed | 2024-03-13T01:30:16Z |
| format | Article |
| id | doaj.art-a498ce4b4c5d4c10a80b8d9448ef3ae9 |
| institution | Directory Open Access Journal |
| issn | 1778-3801 |
| language | fra |
| last_indexed | 2024-03-13T01:30:16Z |
| publishDate | 2022-12-01 |
| publisher | Centre d´Histoire et Théorie des Arts |
| record_format | Article |
| series | Images Re-Vues |
| spelling | doaj.art-a498ce4b4c5d4c10a80b8d9448ef3ae92023-07-04T09:08:51ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012022-12-011010.4000/imagesrevues.12686Autopsie en 360°Andrea PinottiThis paper addresses 360-degree virtual immersive environments as image production and reception devices that produce an apparent deconstruction of the pictorial frame and filmic framing. Through such deconstruction, such environments promise to allow the user an immediate presence in the iconic environment and to foster an effective empathic relationship with the synthetic subjects encountered in that environment. The article will consider the foundations of such a promise, showing its substantial inconsistency, generated by the dual rhetorical suppression of the machine gaze and of the interaction with the interlocutor.http://journals.openedition.org/imagesrevues/12686frameframingunframingvirtual realityempathyimmersive environments |
| spellingShingle | Andrea Pinotti Autopsie en 360° Images Re-Vues frame framing unframing virtual reality empathy immersive environments |
| title | Autopsie en 360° |
| title_full | Autopsie en 360° |
| title_fullStr | Autopsie en 360° |
| title_full_unstemmed | Autopsie en 360° |
| title_short | Autopsie en 360° |
| title_sort | autopsie en 360° |
| topic | frame framing unframing virtual reality empathy immersive environments |
| url | http://journals.openedition.org/imagesrevues/12686 |
| work_keys_str_mv | AT andreapinotti autopsieen360 |