Reescritura e intertextualidad en Calderón: No hay cosa como callar
The study of the differences of degree between intertextuality and rewriting can allow to a better understanding of some aspects of literary interpretation. After present some theoretical questions about both concepts, I analyze Calderón’s comedy No hay cosa como callar as a perfect example of the p...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Mirail
2013-04-01
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| Series: | Criticón |
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| Online Access: | http://journals.openedition.org/criticon/237 |