Beyond the Screen

Intermedial practices are a common trademark of the Japanese art world in the sixties and seventies. This article focuses on a case study of such practices, namely the relationship between artwork and audience in Terayama Shūji’s cinema. Moving from the author’s theatrical theories on spectatorsh...

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Bibliographic Details
Main Author: De Angelis, Eugenio
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2019-06-01
Series:Annali di Ca’ Foscari: Serie Orientale
Subjects:
Online Access:http://doi.org/10.30687/AnnOr/2385-3042/2019/01/019