Beyond the Screen
Intermedial practices are a common trademark of the Japanese art world in the sixties and seventies. This article focuses on a case study of such practices, namely the relationship between artwork and audience in Terayama Shūji’s cinema. Moving from the author’s theatrical theories on spectatorsh...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2019-06-01
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| Series: | Annali di Ca’ Foscari: Serie Orientale |
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| Online Access: | http://doi.org/10.30687/AnnOr/2385-3042/2019/01/019 |