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The introduction of Diderot’s first drama, Le Fils naturel, unleashed a furious counter-offensive from playwrights and from influential sectors of journalistic criticism (Fréron, Palissot, Collé), who were fighting the theories closed in the armour of standards and of the 'good' rule of...
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| Format: | Article |
| Language: | deu |
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Fondazione Università Ca’ Foscari
2015-09-01
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| Series: | Annali di Ca’ Foscari. Serie Occidentale |
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| Online Access: | http://doi.org/10.14277/2499-1562/AnnOc-49-15-1 |