Fear, Estrangement and the Sublime Moment in Hugo Santiago’s Invasión (Argentina, 1969)
This paper examines how the sublime aesthetic combines with science fiction tropes to articulate estrangement and dislocation in Hugo Santiago’s film Invasión (Argentina, 1969). The dystopian tones, alienating landscape and unstoppable invaders featured in the film resonate with Burke’s negative sub...
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| Format: | Article |
| Language: | English |
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University of South Florida
2014-10-01
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| Series: | Alambique |
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| Online Access: | https://scholarcommons.usf.edu/alambique/vol2/iss1/4 |