Comment la scène italienne s’est appropriée L’Homme semence : stratégies d’adaptation d’un prétendu manuscrit
Sonia Bergamasco’s adaptation of L’Homme semence by Violette Ailhaud makes use of a single actor reciting, even if, in a staging that emphasizes plurimediality, it is not possible to define L'uomo seme as a real monologue. The analysis will take into account first the structure of the story,...
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| Format: | Article |
| Language: | English |
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Milano University Press
2019-08-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/12054 |