Project and representation. Palace of the Soviets and the Œuvre Complète 1929-1934
Like for many other architects, the depiction of projects was key for Le Corbusier. Far from being considered a mere strategy of ostentation, for the master it held the possibility of “building” some of the more elusive ideas for his projects. Especially for all the unfinished ones, such as the Pala...
| Main Authors: | , , |
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| Format: | Article |
| Language: | Spanish |
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Universitat Politècnica de València
2021-03-01
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| Series: | EGA |
| Subjects: | |
| Online Access: | https://polipapers.upv.es/index.php/EGA/article/view/13670 |