The Cinematic Bergson: From Virtual Image to Actual Gesture
Deleuze’s film-philosophy makes much of the notion of virtual images in Bergson’s Matter and Memory, but in doing so he transforms a psycho-meta-physical thesis into a (very) unBergsonian ontological one. In this essay, we will offer a corrective by exploring Bergson’s own explanation of the image a...
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| Format: | Article |
| Language: | English |
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University Library System, University of Pittsburgh
2016-12-01
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| Series: | Journal of French and Francophone Philosophy |
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| Online Access: | http://jffp.pitt.edu/ojs/index.php/jffp/article/view/777 |