The Dionysian signs in Richard Wagner's Tannhäuser
The article discusses Dionysian signs in Richard Wagner's opera Tannhäuser und der Sängerkrieg auf Wartburg, focusing on Venus's arietta “Geliebter! Komm”. The method exemplifies musical topics' semiotic analysis. It is proposed that the arietta's pastoral style constitutes a lyr...
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| Format: | Article |
| Language: | deu |
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University of Ljubljana Press (Založba Univerze v Ljubljani)
2015-04-01
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| Series: | Muzikološki Zbornik |
| Online Access: | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3008 |