Documenting Faith: Physical Devotion in Werner Herzog’s Pilgrimage (2001) and Wheel of Time (2003)
To make visible the invisible has always been a key challenge to film. This paper will study how German director Werner Herzog, a regular explorer of the material / spiritual dichotomy, has managed to visualize something as invisible as faith in his documentaries Pilgrimage (2001) and Wheel of Time...
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| Format: | Article |
| Language: | English |
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De Gruyter
2019-02-01
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| Series: | Open Cultural Studies |
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| Online Access: | https://doi.org/10.1515/culture-2019-0004 |