The Body is the Message: Democracy and Authoritarianism in Belmonte's Cartoons (1938-1942)
How to escape censorship when graphic art is under surveillance by an authoritarian government? Which subterfuges can artists use to enforce their message, so to make themselves understood by their audience? These are the two questions inspiring the following paper, which analyzes the production of ...
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| Format: | Article |
| Language: | Spanish |
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University of Bologna
2022-06-01
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| Series: | Confluenze |
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| Online Access: | https://confluenze.unibo.it/article/view/15408 |