Teoretické modely působení umělecké intence na diváka a jejich experimentální ověření
The image is often discussed as a tool of the communication process across many disciplines, including the history of art and aesthetics. At present, it is also becoming of importance to cognitive sciences, which until recently have focused mainly on the basic physical properties of artefacts and ho...
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| Format: | Article |
| Language: | ces |
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Karolinum Press
2020-09-01
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| Series: | Acta Universitatis Carolinae: Philosophica et Historica |
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| Online Access: | http://www.karolinum.cz/doi/10.14712/24647055.2020.9 |