Pedestrian Dharma: Slowness and Seeing in Tsai Ming-Liang’s Walker
This paper studies the ways that Walker, a short film by the Malaysian-Taiwanese auteur Tsai Ming-Liang, visualizes the relationship between Buddhism and modernity. Via detailed film analysis as well as attention to sources in premodern Buddhist traditions, this paper argues that its filmic performa...
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Format: | Article |
Language: | English |
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MDPI AG
2018-06-01
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Series: | Religions |
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Online Access: | http://www.mdpi.com/2077-1444/9/7/200 |