Transgression of Postindustrial Dissonance and Excess: (Re)valuation of Gothicism in Jim Jarmusch’s Only Lovers Left Alive
The paper gives insight into the revaluation of popular Gothic aesthetics in Jim Jarmusch’s 2014 production Only Lovers Left Alive. Drawing on critical theory and the postmodern theoretical framework, the article suggests that the film transgresses contemporary culture immersed in a “culture of deat...
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| Format: | Article |
| Language: | English |
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Lodz University Press
2016-11-01
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| Series: | Text Matters |
| Online Access: | https://czasopisma.uni.lodz.pl/textmatters/article/view/6969 |