The Director–Composer Duo: Polanski & Komeda’s Deconstruction of Film Music Conventions in Horror Cinema. "Fearless Vampire Killers" (1967) and "Rosemary’s Baby" (1968)
This article looks at the relationship between music and image in the two final films that Roman Polanski made with Krzysztof Komeda. Fearless Vampire Killers and Rosemary’s Baby are cinematic examples of a very close collaboration between a director and a composer. The article deals with the functi...
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| Format: | Article |
| Language: | English |
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Wydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego
2023-12-01
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| Series: | Załącznik Kulturoznawczy |
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| Online Access: | https://czasopisma.uksw.edu.pl/index.php/zk/article/view/13558/12160 |