Existential Dualism and Absurdity: Modernist Theatricality in Wole Soyinka’s Death and the King’s Horseman and Samuel Beckett’s Endgame
Wole Soyinka and Samuel Beckett apparently occupy distinct places in the literary space, in all ramifications. Specifically, while the former’s dramaturgy is definable within the context of the traditional convention of playwriting, otherwise known as well-made plays, the latter is inherently non-co...
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| Format: | Article |
| Language: | English |
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Charles University
2022-07-01
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| Series: | Prague Journal of English Studies |
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| Online Access: | https://doi.org/10.2478/pjes-2022-0007 |