Ridisegnare paesaggi. Ridefinizione dello sguardo etnografico e "aesthetic of slow" nel cinema di Michelangelo Frammartino

The cinematic image itself could serve as a medium that can represent a conceptualization of time thanks to its formal elements, which temporalize space and spatialize time, rendering duration and the experience of passing time. Taking into account Frammartino’s cinema “Il dono” (2003), “Le quattro...

Full description

Bibliographic Details
Main Author: Samuel Antichi
Format: Article
Language:Italian
Published: Università degli Studi di Milano 2019-01-01
Series:Schermi
Subjects:
Online Access:https://riviste.unimi.it/index.php/schermi/article/view/10343