Au royaume des ombres : Daughter of Darkness (Lance Comfort, 1948) et The Queen of Spades (Thorold Dickinson, 1949)
Gothic cinema has always relied on the contrast of light and darkness. The shadows that people it have never ceased to appear in various guises — as shadows cast by bodies, as ghosts, spirits or doppelgängers. British cinema in the 1940s appeals to darkness to challenge the codes of realism accordin...
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| Natura: | Articolo |
| Lingua: | English |
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Université Toulouse - Jean Jaurès
2013-06-01
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| Serie: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Accesso online: | http://journals.openedition.org/miranda/3669 |