Il bordo opaco. Pensare lo schermo, pensare la superficie
The screen’s frame outlines a separation, an ontological and semiotic cut between the real space and the view contained within its aperture. While it inherits such a border from the tradition of pictorial representation, the screen’s surface constitute itself as an overlapping structure that encroac...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2014-03-01
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| Series: | Rivista di Estetica |
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| Online Access: | http://journals.openedition.org/estetica/943 |