The Surface of Modernity: Mario Schifano and Fabio Mauri between Screens and Monochrome Painting (1957–1969)
Between the end of the 1950s and the beginning of the 1960s, monochrome painting became a relevant tendency in Italy, crossing post-Spatialist and post-Informal practices. In the same years, the modernity of mass culture had overwhelmed a society which was mainly agricultural in a short time. As gr...
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| Format: | Article |
| Language: | English |
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Milano University Press
2018-10-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16220 |