Gramsci, Croce et le chant X de l’Enfer de Dante
Gramsci’s reflections on the Divine Comedy, and more particularly on Canto X of the Inferno, are a decisive moment in his theoretical maturation. Based on a meticulous study of Gramsci’s notes on Dante, his sources and his interlocutors, Marcello Mustè examines, in this chapter from his book Marxism...
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| Format: | Article |
| Language: | fra |
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École Normale Supérieure de Lyon Editions
2024-12-01
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| Series: | Laboratoire Italien |
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| Online Access: | https://journals.openedition.org/laboratoireitalien/13242 |