The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World

Since Najib al-Haddad and Tanyusʻ Abdu’s first Arabic versions of Romeo and Juliet and Hamlet at the end of the 19th century, the reception of Shakespeare in the Arab world has gone through a process of adaptation, Arabization, and translation proper. We consider the process of Arabization / domesti...

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Main Author: Mohammed Naser Hassoon
Format: Article
Language:English
Published: Lodz University Press 2021-06-01
Series:Multicultural Shakespeare
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/szekspir/article/view/10719
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author Mohammed Naser Hassoon
author_facet Mohammed Naser Hassoon
author_sort Mohammed Naser Hassoon
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description Since Najib al-Haddad and Tanyusʻ Abdu’s first Arabic versions of Romeo and Juliet and Hamlet at the end of the 19th century, the reception of Shakespeare in the Arab world has gone through a process of adaptation, Arabization, and translation proper. We consider the process of Arabization / domestication of Shakespeare’s plays since Najib al-Haddad’s adaptation of Romeo and Juliet and Tanyusʻ Abdu’s adaptation of Hamlet, to the achievements of Khalīl Mutran and Muhammad Hamdi. We underline, as particular examples of Shakespeare’s appropriation, the literary response of Ali Ahmed Bakathir, Muhammad al-Maghut and Mamduh Udwan, with a particular stress on Khazal al-Majidi and his adaptations of Shakespeare’s plays. All these writers reposition Shakespeare’s plays in an entirely different cultural space.
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spelling doaj.art-b5cb055a162849a580dd78b0c0287f682022-12-22T03:36:31ZengLodz University PressMulticultural Shakespeare2300-76052021-06-012338435710.18778/2083-8530.23.0310618The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab WorldMohammed Naser Hassoon0https://orcid.org/0000-0002-7979-4469University of Thi-Qar, Nassiriyah, IraqSince Najib al-Haddad and Tanyusʻ Abdu’s first Arabic versions of Romeo and Juliet and Hamlet at the end of the 19th century, the reception of Shakespeare in the Arab world has gone through a process of adaptation, Arabization, and translation proper. We consider the process of Arabization / domestication of Shakespeare’s plays since Najib al-Haddad’s adaptation of Romeo and Juliet and Tanyusʻ Abdu’s adaptation of Hamlet, to the achievements of Khalīl Mutran and Muhammad Hamdi. We underline, as particular examples of Shakespeare’s appropriation, the literary response of Ali Ahmed Bakathir, Muhammad al-Maghut and Mamduh Udwan, with a particular stress on Khazal al-Majidi and his adaptations of Shakespeare’s plays. All these writers reposition Shakespeare’s plays in an entirely different cultural space.https://czasopisma.uni.lodz.pl/szekspir/article/view/10719adaptationarabicarabizationcultural transferkhazal al-majidirepositioningshakespearetranslation
spellingShingle Mohammed Naser Hassoon
The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World
Multicultural Shakespeare
adaptation
arabic
arabization
cultural transfer
khazal al-majidi
repositioning
shakespeare
translation
title The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World
title_full The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World
title_fullStr The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World
title_full_unstemmed The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World
title_short The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World
title_sort domestication and arabization of the bard towards the reception of shakespeare in the arab world
topic adaptation
arabic
arabization
cultural transfer
khazal al-majidi
repositioning
shakespeare
translation
url https://czasopisma.uni.lodz.pl/szekspir/article/view/10719
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