Wholesale Apocalypse: Brand Names in Margaret Atwood’s Oryx and Crake

Coinages pervade Margaret Atwood’s post-apocalyptic novel Oryx and Crake (2003). Most of the neologisms in the novel denote corporations and their products and form part of a thoroughgoing critique of consumerism. The coinages are jarringly hyperbolic and their orthography often evokes contrary con...

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Main Author: Marinette Grimbeek
Format: Article
Language:English
Published: University Library System, University of Pittsburgh 2016-04-01
Series:Names
Subjects:
Online Access:http://ans-names.pitt.edu/ans/article/view/2075
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author Marinette Grimbeek
author_facet Marinette Grimbeek
author_sort Marinette Grimbeek
collection DOAJ
description Coinages pervade Margaret Atwood’s post-apocalyptic novel Oryx and Crake (2003). Most of the neologisms in the novel denote corporations and their products and form part of a thoroughgoing critique of consumerism. The coinages are jarringly hyperbolic and their orthography often evokes contrary connotations. However, in the thematic context of the novel, coining practices follow certain patterns and function as effective, if ambiguous, satirical tools. On one level, the practice of branding is thoroughly satirized. On another, however, the neologisms point to both the limitations and possibilities of satire when dealing with the themes addressed in the novel: commoditization, environmental damage on a planetary scale, and a vision of the imminent end of humanity itself.
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spelling doaj.art-b63e6f9bd1d2443391126a9606aeafdc2022-12-22T02:08:52ZengUniversity Library System, University of PittsburghNames0027-77381756-22792016-04-0164210.1080/00277738.2016.1159448Wholesale Apocalypse: Brand Names in Margaret Atwood’s Oryx and CrakeMarinette Grimbeek Coinages pervade Margaret Atwood’s post-apocalyptic novel Oryx and Crake (2003). Most of the neologisms in the novel denote corporations and their products and form part of a thoroughgoing critique of consumerism. The coinages are jarringly hyperbolic and their orthography often evokes contrary connotations. However, in the thematic context of the novel, coining practices follow certain patterns and function as effective, if ambiguous, satirical tools. On one level, the practice of branding is thoroughly satirized. On another, however, the neologisms point to both the limitations and possibilities of satire when dealing with the themes addressed in the novel: commoditization, environmental damage on a planetary scale, and a vision of the imminent end of humanity itself. http://ans-names.pitt.edu/ans/article/view/2075Daphne du MaurierRebeccaanonymityconcealed namesgender and naminginitials
spellingShingle Marinette Grimbeek
Wholesale Apocalypse: Brand Names in Margaret Atwood’s Oryx and Crake
Names
Daphne du Maurier
Rebecca
anonymity
concealed names
gender and naming
initials
title Wholesale Apocalypse: Brand Names in Margaret Atwood’s Oryx and Crake
title_full Wholesale Apocalypse: Brand Names in Margaret Atwood’s Oryx and Crake
title_fullStr Wholesale Apocalypse: Brand Names in Margaret Atwood’s Oryx and Crake
title_full_unstemmed Wholesale Apocalypse: Brand Names in Margaret Atwood’s Oryx and Crake
title_short Wholesale Apocalypse: Brand Names in Margaret Atwood’s Oryx and Crake
title_sort wholesale apocalypse brand names in margaret atwood s oryx and crake
topic Daphne du Maurier
Rebecca
anonymity
concealed names
gender and naming
initials
url http://ans-names.pitt.edu/ans/article/view/2075
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