Looking at Two Paintings at Once: Luminance Edges Can Gate Colors

Two paintings, O1 and O2, were split into their luminance (grayscale) components L1, L2 and their color components C1, C2. The two color components, C1, C2, were transparently superimposed. Adding the grayscale of the first painting (= C1 + C2 + L1) looked like the original O1, while adding the gray...

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Bibliographic Details
Main Authors: Stuart Anstis, Mark Vergeer, Rob Van Lier
Format: Article
Language:English
Published: SAGE Publishing 2012-09-01
Series:i-Perception
Online Access:https://doi.org/10.1068/i0537sas