From Taiwan New Cinema to Post-New Cinema: The Transition of Identity in Cape No. 7 and the Naming Issue of Post-New Cinema
In 2008, Taiwan’s cinema began to get back on its feet after an extended lull, with several directors successively releasing critically acclaimed first works. Compared with the well-known Taiwan New Cinema, this new film trend works within the conventions of genre and often focuses on local issues a...
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| Format: | Article |
| Language: | English |
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De Gruyter
2021-12-01
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| Series: | Open Cultural Studies |
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| Online Access: | https://doi.org/10.1515/culture-2020-0130 |