Interstitial Spaces and Multiple Histories in William Gibson's 'Virtual Light', 'Idoru' and 'All Tomorrow's Parties'
In William Gibson’s post-cyberpunk Interstitial trilogy – 'Virtual Light' (1993), 'Idoru' (1996) and 'All Tomorrow’s Parties' (1999) – he maps an oppressive, urban and globalised American monoculture. However, the most provocative spaces in these novels are those limina...
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| Format: | Article |
| Language: | English |
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University of Western Australia
2003-06-01
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| Series: | Limina: A Journal of Historical and Cultural Studies |
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| Online Access: | https://www.archive.limina.arts.uwa.edu.au/__data/page/186577/7Leaver.pdf |