Flat puppets on an empty screen, stories in the round Imagining space in wayang kulit and the worlds beyond

The puppets are flat, the screen against which they are placed and moved is white and devoid of scenery. In what kinds of space do the stories of the classical shadow-play of Java, Bali, Lombok, and the Malay world unfold despite this double flatness? How do performers use not only puppets and scree...

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Bibliographic Details
Main Author: Bernard Arps
Format: Article
Language:English
Published: Universitas Indonesia, Faculty of Humanities 2016-08-01
Series:Wacana: Journal of the Humanities of Indonesia
Subjects:
Online Access:https://scholarhub.ui.ac.id/wacana/vol17/iss3/3