Metaphysics of the sequence shot: the gathering and nihilating of being in Béla Tarr’s The Turin Horse

ABSTRACTThis article examines the philosophical implications of Béla Tarr’s The Turin Horse (2011) by attending to the thematic and aesthetic configuration of its sequence shots. The film’s durational images, I suggest, perform a gathering and nihilating of presence whereby the existence of the subj...

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Bibliographic Details
Main Author: Isabel Rocamora
Format: Article
Language:English
Published: Taylor & Francis Group 2023-12-01
Series:Journal of Aesthetics & Culture
Subjects:
Online Access:https://www.tandfonline.com/doi/10.1080/20004214.2023.2271097