Testimonial del Nuevo Cancionero: las prácticas musicales como discurso social y el rol del intelectual comprometido en la década del sesenta
This paper deals with the analysis of the record production Testimonial del Nuevo Cancionero (1965), which contains poems of Armando Tejada Gómez (recited by its author) and songs with lyrics of Tejada Gómez and music of Manuel Oscar Matus. The performance is led by Matus (voice), Luis Amaya (guitar...
| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
| Published: |
Pontificia Universidad Católica de Chile
2014-06-01
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| Series: | Resonancias |
| Subjects: | |
| Online Access: | https://resonancias.uc.cl/n-34/testimonial-del-nuevo-cancionero-las-practicas-musicales-como-discurso-social-y-el-rol-del-intelectual-comprometido-en-la-decada-del-sesenta-es/ |